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Concept in Chinese / Japanese...

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Idea / Concept

 lǐ niàn
 ri nen
Idea / Concept Scroll

理念/理唸 means idea, notion, concept, principle, theory, philosophy*, or doctrine in Chinese, Japanese Kanji, and old Korean Hanja.

This word is OK for a wall scroll, although it's more commonly used as an oral/informal word in Asia.

* This is not the title for philosophy but rather is about having a certain philosophy or approach to something.


These search terms might be related to Concept:

1. Right Understanding / Right Perspective / Right View / Perfect View

2. Right Resolve / Right Thought / Right Intention / Perfect Resolve

Belief / Trust

Consideration / Thought / Ikko

Even a Fool May Sometimes Come Up With a Good Idea

Far-Sighted in Deep Thought

Firm Belief / Strong Faith

Idea / Concept

Idea / Thought

Idea / Thought / Meaning

Perception

Perception of Knowledge

The Guts Theory

Theory of Evolution

Thought / Thinking / Idea

Trust in God / Belief in God

Not the results for concept that you were looking for?

Below are some entries from our dictionary that may match your concept search...

Characters

If shown, 2nd row is Simp. Chinese

Pronunciation
Romanization
Simple Dictionary Definition

無我


无我

see styles
wú wǒ
    wu2 wo3
wu wo
 muga
    むが

More info & calligraphy:

Selflessness
anatta (Buddhist concept of "non-self")
(1) selflessness; self-effacement; self-renunciation; (2) {Buddh} anatta; anatman; doctrine that states that humans do not possess souls; (female given name) Muga
anātman; nairātmya; no ego, no soul (of an independent and self-contained character), impersonal, no individual independent existence (of conscious or unconscious beings, anātmaka). The empirical ego is merely an aggregation of various elements, and with their disintegration it ceases to exist; therefore it has nm ultimate reality of its own, but the Nirvāṇa Sūtra asserts the reality of the ego in the transcendental realm. The non-Buddhist definition of ego is that it has permanent individuality 常一之體 and is independent or sovereign 有主宰之用. When applied to men it is 人我, when to things it is 法我. Cf. 常 11.

理念

see styles
lǐ niàn
    li3 nian4
li nien
 rinen
    りねん

More info & calligraphy:

Idea / Concept
idea; concept; philosophy; theory
(Platonic) ideal (of how things ought to be, e.g. human rights); foundational principle; idea; conception (e.g. of the university); doctrine; ideology

三身

see styles
sān shēn
    san1 shen1
san shen
 sanjin; sanshin
    さんじん; さんしん
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi
trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men.

主線


主线

see styles
zhǔ xiàn
    zhu3 xian4
chu hsien
main line (of communication); main thread (of a plotline or concept); central theme

內核


内核

see styles
nèi hé
    nei4 he2
nei ho
core (of a fruit); (fig.) the essence (of a concept or doctrine etc); (geology) inner core; (computing) kernel

大同

see styles
dà tóng
    da4 tong2
ta t`ung
    ta tung
 daidou / daido
    だいどう
(Confucianism) Great Harmony (concept of an ideal society)
(1) (See 大同小異) general resemblance; being largely the same; (2) (See 大同団結) uniting with a common goal; (3) (hist) Daidō era (806.5.18-810.9.19); (place-name) Datong (China)
mostly the same

妄法

see styles
wàng fǎ
    wang4 fa3
wang fa
 mōbō
bhrānti, going astray, error.

常想

see styles
cháng xiǎng
    chang2 xiang3
ch`ang hsiang
    chang hsiang
 jōsō
concept of permanence

意境

see styles
yì jìng
    yi4 jing4
i ching
artistic mood or conception; creative concept

意法

see styles
yì fǎ
    yi4 fa3
i fa
 i hō
thinking consciousness and concept

我執


我执

see styles
wǒ zhí
    wo3 zhi2
wo chih
 gashuu / gashu
    がしゅう
egotism; obstinacy
ātma-grāha; holding to the concept of the ego; also 人執.

我相

see styles
wǒ xiàng
    wo3 xiang4
wo hsiang
 gasō
Egoism, the concept of the ego as real. Anyone who believes in我相, 人我, 衆生我, 壽我 is not a true Bodhisattva, v. 我人四相.

我空

see styles
wǒ kōng
    wo3 kong1
wo k`ung
    wo kung
 gakū
生空 (衆生空); 人空 Illusion of the concept of the reality of the ego, man being composed of elements and disintegrated when these are dissolved.

投企

see styles
 touki / toki
    とうき
(ant: 被投性) projection; project; philosophical concept introduced by Heidegger (Entwurf)

時間


时间

see styles
shí jiān
    shi2 jian1
shih chien
 jikan
    じかん
(concept of) time; (duration of) time; (point in) time
(1) time; (2) hour; (3) period; class; lesson; (surname) Tokima
time

有要

see styles
 yuuyou / yuyo
    ゆうよう
matter (thing, concept) of high (vital, extreme) importance

極微


极微

see styles
jí wēi
    ji2 wei1
chi wei
 kyokubi; gokubi
    きょくび; ごくび
(adj-na,adj-no,n) microscopic; infinitesimal
An atom, especially as a mental concept, in contrast with 色聚之微, i.e. a material atom which has a center and the six directions, an actual but imperceptible atom; seven atoms make a 微塵 molecule, the smallest perceptible aggregation, called an aṇu 阿莬 or 阿拏; the perceptibility is ascribed to the deva-eye rather than to the human eye. There is much disputation as to whether the ultimate atom has real existence or not, whether it is eternal and immutable and so on.

概念

see styles
gài niàn
    gai4 nian4
kai nien
 gainen
    がいねん
concept; idea; CL:個|个[ge4]
general idea; concept; notion

構想


构想

see styles
gòu xiǎng
    gou4 xiang3
kou hsiang
 kousou / koso
    こうそう
to conceive; concept
(noun, transitive verb) plan; plot; idea; conception; vision; scheme

槪念

see styles
gài niàn
    gai4 nian4
kai nien
 gainen
concept

法性

see styles
fǎ xìng
    fa3 xing4
fa hsing
 hosshou; houshou / hossho; hosho
    ほっしょう; ほうしょう
{Buddh} (See 法相・ほっそう・1) dharmata (dharma nature, the true nature of all manifest phenomena); (personal name) Hosshou
dharmatā. Dharma-nature, the nature underlying all thing, the bhūtatathatā, a Mahāyāna philosophical concept unknown in Hīnayāna, v. 眞如 and its various definitions in the 法相, 三論 (or法性), 華嚴, and 天台 Schools. It is discussed both in its absolute and relative senses, or static and dynamic. In the Mahāparinirvāṇa sūtra and various śāstras the term has numerous alternative forms, which may be taken as definitions, i. e. 法定 inherent dharma, or Buddha-nature; 法住 abiding dharma-nature; 法界 dharmakṣetra, realm of dharma; 法身 dharmakāya, embodiment of dharma; 實際 region of reality; 實相 reality; 空性 nature of the Void, i. e. immaterial nature; 佛性 Buddha-nature; 無相 appearance of nothingness, or immateriality; 眞如 bhūtatathatā; 如來藏 tathāgatagarbha; 平等性 universal nature; 離生性 immortal nature; 無我性 impersonal nature; 虛定界: realm of abstraction; 不虛妄性 nature of no illusion; 不變異性 immutable nature; 不思議界 realm beyond thought; 自性淸淨心 mind of absolute purity, or unsulliedness, etc. Of these the terms 眞如, 法性, and 實際 are most used by the Prajñāpāramitā sūtras.

理觀


理观

see styles
lǐ guān
    li3 guan1
li kuan
 rikan
    りかん
{Buddh} (See 事観) contemplation of principle
The concept of absolute truth; the concentration of the mind upon reality.

眞空

see styles
zhēn kōng
    zhen1 kong1
chen k`ung
    chen kung
 mahiro
    まひろ
(female given name) Mahiro
(1) The absolute void, complete vacuity, said to be the nirvana of the Hīnayāna. (2) The essence of the bhūtatathatā, as the 空眞如 of the 起信論, 唯識, and 華嚴. (3) The void or immaterial as reality, as essential or substantial, the 非 空 之 空 not-void void, the ultimate reality, the highest Mahāyāna concept of true voidness, or of ultimate reality.

眞證


眞证

see styles
zhēn zhèng
    zhen1 zheng4
chen cheng
 shinshō
Real evidence, proof, or assurance, or realization of truth. The knowledge, concept, or idea which corresponds to reality.

考え

see styles
 kangae
    かんがえ
(1) thinking; thought; view; opinion; concept; (2) idea; notion; imagination; (3) intention; plan; design; (4) consideration; judgement; deliberation; reflection; (5) wish; hope; expectation

華夏


华夏

see styles
huá xià
    hua2 xia4
hua hsia
 kaka
    かか
old name for China; Cathay
(1) (hist) Huaxia (historical concept of China); (2) (archaism) civilized land; (personal name) Hanaka

著想


着想

see styles
zhuó xiǎng
    zhuo2 xiang3
cho hsiang
 jakusō
to give thought (to others); to consider (other people's needs); also pr. [zhao2 xiang3]
The attachment of thought, or desire.

観念

see styles
 kannen
    かんねん
(1) idea; notion; concept; conception; (2) sense (e.g. of duty); (noun, transitive verb) (3) resignation (to one's fate); acceptance; preparedness; (4) {Buddh} observation and contemplation; meditation

觀念


观念

see styles
guān niàn
    guan1 nian4
kuan nien
 kannen
notion; thought; concept; sense; views; ideology; general impressions
To look into and think over, contemplate and ponder.

計都


计都

see styles
jì dū
    ji4 du1
chi tu
 keito / keto
    けいと
concept from Vedic astronomy (Sanskrit Ketu), the opposite point to 羅睺|罗睺[luo2 hou2]; imaginary star presaging disaster
Keito; mythological celestial body and-or evil spirit (asura) said to cause eclipses; (female given name) Keito
計部; 鷄都 or 兜 ketu, any bright appearance, comet, ensign, eminent, discernment, etc.; the name of two constellations to the left and right of Aquila.

Click here for more concept results from our dictionary

The following table may be helpful for those studying Chinese or Japanese...

Title CharactersRomaji (Romanized Japanese)Various forms of Romanized Chinese
Idea
Concept
理念 / 理唸
理念
ri nen / rinenlǐ niàn / li3 nian4 / li nian / linianli nien / linien
In some entries above you will see that characters have different versions above and below a line.
In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese.


Dictionary

Lookup Concept in my Japanese & Chinese Dictionary


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A nice Chinese calligraphy wall scroll

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A professional Chinese Calligrapher

Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.

There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.

Trying to learn Chinese calligrapher - a futile effort

Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.

A high-ranked Chinese master calligrapher that I met in Zhongwei

The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.


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Some people may refer to this entry as Concept Kanji, Concept Characters, Concept in Mandarin Chinese, Concept Characters, Concept in Chinese Writing, Concept in Japanese Writing, Concept in Asian Writing, Concept Ideograms, Chinese Concept symbols, Concept Hieroglyphics, Concept Glyphs, Concept in Chinese Letters, Concept Hanzi, Concept in Japanese Kanji, Concept Pictograms, Concept in the Chinese Written-Language, or Concept in the Japanese Written-Language.

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